Author: Ad2026MiN

‘the objective exists only in my mind as soon as my hand touches the shimmering surface of cloth the silkworm dies becomes the neutral disrupts binaries minds of mirrors reflects back to me reflexive shimmer you can take my place you can glimmer’ I explore weaving as an embodied form of writing where revision, failure… Continue reading Morris Åkermalm Edberg

In my degree project, I explore illusions both in reality and imagery, in everything from religion to social media. The way our brains take in information but at times distort it or even filter bits out fascinates me. How you can fool the eyes and create something that seems to distort reality or cross dimensions?… Continue reading Maja Möller

The degree project “Material Death” questions the idea that materials can become finished or dead. In our systems of production and disposal, materials are treated as if their life ends when we throw them away. However, matter never disappears. It continues to exist, circulate and affect bodies, ecologies and infrastructures. In my practice, I work… Continue reading Klara Djamila Kassman Soukkan

Situated at the intersection of urban environments and nature, the degree project “Trembling Matter” investigates how the human and the more-than-human are continuously interwoven, searching for a more attentive relationship to the physical matter of our immediate surroundings. The textile-based installation, constructed as portable and reconfigurable structures, becomes a way to engage with singular moments.… Continue reading Gösta von Platen

When I was twenty-five, I stopped drinking alcohol. This year marks ten years since then. I have a fantasy that all the alcohol I ‘don’t’ consume is being stored somewhere, constantly increasing in volume. Based on my previous drinking habits, I have now accumulated 54,298 unconsumed units. Let’s pretend I drank only red wine. To… Continue reading Elin Hökby

We live in an era of multiple, interconnected and reinforcing crises, and our inner compass is constantly off-kilter. The only way to awaken from our collective sleep is to realise that we are part of a larger whole. The world is a sphere, another Noah’s ark, where humans, animals, and nature coexist equally, without exception.… Continue reading Dimitra Konstantinidi

Tudelooo, In my degree project, I have explored my textile practice and my textile thinking, as I work both physically and mentally with my sexy craft (weaving). Through a textile addiction, I have managed to create a monster, or has the project turned me into the monster? Using a traditional loom and basic weaving knowledge,… Continue reading Carli Halvars

I work with textile techniques to express conceptual ideas, whether they take the form of a sculpture, installation, or performance. My practice is rooted in the experience of not fully belonging to ‘here or there’. A process based on the dialogue established between the individual and the social context. I use the metaphor of an… Continue reading Annai Bejarano

Crisis narrative. Overstimulation. Numbness. Awareness. Nonchalance. Meaninglessness. Can material-based objects draw attention to the normative passivity that many of us have come to inhabit? What happens to us when the alarms no longer move us, when the meme cannot be passed on, and the nihilist on your shoulder urges you to hide under the covers… Continue reading Anna Hedström